Night Light
The garrison commander had barely closed his eyes, ready for the escape that sleep would grant him, when the duty officer shook his shoulder. Newbolt was new but competent, so his lapse of protocol—waking him instead of dealing with the crisis on his own—surprised the commander. The fear in Newbolt’s eyes was genuine, though.
“Another checkpoint problem?” For more than two months, the Runeheads had been slipping past the guards, somehow blending in with the regulars on the route into Locke Town. The garrison’s whole purpose was to monitor the traffic in and out of the city, to stop the Runeheads from gaining a foothold there.
“No, sir.” Newbolt was nervous.
Mosby sat up in bed and reached for his tunic. “What then?” He dressed quickly but thoroughly, aware that the chill of this alien night would knife through him if he wasn’t prepared.
“It’s the blinking light, sir.”
Inwardly, Mosby groaned. It was difficult enough to keep the garrison fully staffed because of its remoteness from Earth-based settlements. Throw in a race that lacked humanoid features and resented the soldiers’ presence. Now he faced his latest challenge, dispelling rumors of the Runeheads’ telepathic control of energy. Three men in the last week had requested a transfer after reporting a flashing light that immobilized them.
“Show me.” He followed Newbolt out to the perimeter gate. The guard station was awash in floodlights, but the brightness stopped a few feet out and the terrain beyond was inky, empty and quiet. “Shut off the lights,” Mosby ordered. He and Newbolt stared into the sudden darkness for several minutes. With his hand on his stunner, he wondered if he could trust Newbolt. Perhaps the duty officer and the others who had seen the phenomenon were in the first stages of hallucination disorder. He would need to file a report, encourage them to seek treatment, and ask for additional staff while they were on sick leave.
“There,” Newbolt hissed.
Mosby scanned the blackness, hoping he would not see anything.
“There—do you see it?” Newbolt’s voice quavered. “What is it? It’s got to stop.” He disappeared into the night.
“Newbolt, wait.” Mosby listened for his footsteps but heard nothing. He moved to switch the floodlights back on, but above and to his right, a green light began blinking. It was small but insistent, and it was moving. “Newbolt?”
0 0 Read moreFeaturing Meriam Wilhelm Author of the Month
The one thing I know, after all my years as an elementary school principal, is that there is magic everywhere and in everyone. While I miss those enchanting moments with kids, I have always wanted to let my imagination run wild as I seek out my own magic and write about it. When I retired, I started to write my first books, a series called The Witches of New Moon Beach and inspiration wasn’t hard to find.
I have lived in Redondo Beach all my life, and New Moon might have more than a passing resemblance to my hometown. Every day I walk on the path that runs along the beach, sometimes with my sisters, but most often with my thoughts as I plot my next book.
I am long married and mom to three great grown kids. When I’m not writing or walking on the beach, you’ll find me sewing, reading or traveling and taking pictures.
Website: www.meriamwilhelm.com
We’re living in interesting times, and I was tempted to write a post about historical plagues and pandemics… But, if you’re like me, you’re heartily sick of hearing about them.
So, since March is Women’s History Month in the U.S., I’m sharing a gem of a book I found about women bankers.
Regency romance enthusiasts will know the story of Sarah Sophia Fane Child Villiers, Countess of Jersey and one of the patronesses of Almack’s. Sarah inherited a partnership in Child’s Bank, and became an active participant in the bank’s management until her death in 1867. (Her mother, also named Sarah, had been cut out of the will after her scandalous elopement to Gretna Green with the Earl of Westmoreland!)
The authors explain how some women, either through the wisdom of enlightened parents or their own power as widows managed this:
The law has always offered loop-holes. Provision could be made in her marriage settlement for a woman to retain the use of her own property . . . It was also possible for a woman’s property to be placed in the hands of trustees before her marriage, so that her husband could have no use of it without her consent.
Marriage settlements were extremely important financial and legal agreements negotiated by wealthy parties prior to marriage. Today, we call those “pre-nups”.
The book includes the stories of Lady Jersey and Harriet Mellon Coutts, an actress who inherited her husband’s interest in Coutts Bank and went on to marry the Duke of St. Albans (and still retain ownership of her wealth). But most of the seventy-six women bankers were solidly middle-class.
Many women established country banks with husbands or sons. Some inherited banks. Many also engaged alone or with husbands in other types of commerce, such as shipping, mining, or manufacturing.
And you won’t find most of these women mentioned in Wikipedia!
If you’re interested in a chronicle of women in business in the eighteenth and nineteenth century, you might enjoy this book.
4 1 Read more
Pebbles and seashells
wash up
on my shore—
I gather them,
string them on lines
in colors and patterns
that come to mind,
pin them to the sky
with golden clasps
and make rainbows
when the rain is gone.
© Neetu Malik
“That stinks!”
Smelling something unpleasant? Not really. It’s more an expression of disagreement or disappointment about a particular place or event, which demonstrates how often we use the sense of smell to reveal emotion and understand our world.
We ‘smell a rat’ when we suspect something is wrong.
We ‘sniff out a traitor’ and follow the clues that uncovers an enemy.
We wake up and ‘smell the coffee’ to become more alert and aware.
And perhaps the most famous example would be that of Marcellus, an officer in Shakespeare’s play Hamlet, who states, “Something is rotten in the state of Denmark,” to express that things are unsatisfactory.
Scientists tell us that fear emits its own scent which explains why people who are afraid of bees, cats, or dogs seem to attract them the most.
On the positive side, ‘stopping to smell the roses’ encourages us to take time to appreciate life. The arrival of a pleasant person, or relief from a difficult situation can be like smelling a ‘breath of fresh air.’
And men and women alike know the attractive power of colognes and perfumes. (But that’s the subject for a different type of post.)
So, what does all of this have to do with writing? Much! Like ‘Show Don’t Tell’, using the sense of smell can be a useful tool to create more emotional and dynamic scenes that engage the reader.
In Disney’s animated film, Tarzan, (1999), the gorilla Kala is led by her senses to a treehouse. There she smells danger. Her vision takes in the overturned furniture and destruction that denotes a fight took place. Following her senses, she discovers the baby Tarzan. Her heart goes out to the baby and she adopts him as her own. Sigh. Ain’t love grand?
Not one word of dialogue. But a masterful use of the senses to evoke emotion and create a powerful scene.
If my writing could draw someone in like the welcoming scent of a delicious pie, envelop them in a hypnotic aroma of coffee or tea, and keep them reaching for more, I will be in scentsational writer heaven!
See you next time on April 22nd.
Veronica Jorge
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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